"Interference" is the new album by Massimiliano Folegatti, a work born in the period of the Covid-19 pandemic, otherwise known as Schizodemia, split of the people, understood both as the division of people into many small groups and as a mental split of people, since this disease has brought a single true virus, in addition to the Coronavirus infection: fear, an immobilizing, chilling and deforming fear. "Interference" is the title that comes from an intuition that the author had, which is expressed in feeling an interference, within the system, which, in turn, produces interference, in the world of the artist, dictated by a mass of media that yearn for the resigned submission of individuals, under the aegis of governments drugged by the ugly drive of total domination. It is an album about the Revolution, which, according to the creative, will lead mankind into a New Era of Light, in which we will all be well and no one will be left behind. However, in order to realize it, an awareness is required on the part of all, since this system of things can no longer be tolerated. "Interference" is militant, a music that fights, with infinite love for Humanity, against the distortion and overturning of the complex human nature, which demands respect and nourishment. They will not be able to keep telling us lies forever. The castle of lies will fall apart sooner or later. Mankind will be fine again, perhaps as it never was before. This is my Revolution, for me the problem of membership does not arise. I am with the man. The mephitic call of this Capitalism does not concern me. There will be children in the square to play. People on bicycles will whistle. Grandmothers will be able to put their grandchildren to lunch, without more worries and worries. "Interference" is a hymn to life and to the passion for Beauty, which envelops everything, which colors everything. The tracklist is:
1. You are the key
2. Near the Tannhäuser gate
3. My lady's breast - Portrait of an invisible
4. Tree of Revolution
It is a year of work, carried out in a really hard period, for everyone, with the various restrictions, which, in Italy, have really made themselves felt.
"You are the key" is a song about love for one's partner. Here is a man who realizes how much his woman is the key to his existence, the center of gravity and the metronome. The piece was submitted to the attention of a listening group, receiving appreciation. A dear friend of mine wrote to me: “It seems to take a journey in your thoughts”. A friend, on the other hand, wrote: "Only today did I find the time to listen to your piece ... I did it with my eyes closed to leave the task of composing images related to sounds to the music. What resulted is the effect of a sudden summer storm before sunset ... a ticking at the beginning that anticipates the fresh air of the rain, the crescendo of the rhythm, the crackle of thunder, and then slowly, at the end of the rain, life that awakens to enjoy the coolness, almost a dance of thanks to a world full of drops that shine in the last light of the evening ... in the end a few drops still slipping from a leaf, almost a greeting to the disappearing sun ... " . My Aunt, a retired music teacher, wrote to me: “As soon as I started I thought:“ Ah! This major beginning will herald something striking or produce a melodic element of the opposite character, perhaps as it gradually grows. Now, however, I want to hear it more than once to be able to tell you what it really makes me think. It is precisely on the organic nature that I want to express myself after having listened to it other times ". Few people follow me, but their valuable feedback is essential for me. "You are the key" is a work that I care very much, written in the cold days of a winter in the name of the Italian lockdown, due to which I was not allowed to see my partner, even if a few kilometers away. A cowardly choice, that of the government at the time, a decision that attempted to kill people's affections, their psychic balance and their strength. Now here we are talking about new restrictions and it feels like being inside the hamster cage, because it is a perpetual motion of pain and deprivation. For this a New Era of Light is needed: Humanity is tired. "Near the Tannhäuser gate" is a hymn, with which I celebrate a world that is seeing something that is far beyond imagination. It is a tribute to the famous final monologue of Ridley Scott's "Blade Runner". There is a lot of sweetness in this piece, the delicacy with which a person must be treated, the kindness with which one must approach a wound of the soul. In the second part of the passage there is a path towards the possibility of being happy. Then the consoling piano enters. There is a need for infinite tenderness ...
"My lady's breast - Portrait of an invisible" is an orchestral piece, on the breast of one's beloved and the symbolic value of the psychoanalytic object. A job that took me a lot, and that, in the end, I felt mine and in perfect plastic rhyme with what I intended to represent with sounds. In this piece, there is the whole psychic search of a life. It is life. Push forward. Sense of belonging. Desire and love that comes from the authentic knowledge of one's partner. There is tension that proceeds with different dissonances and rhythms, which is dissolved in the warmth of the orchestral timbres. An answer is put forward: man can be happy, after having recognized himself, he can also find true love, although he has been an invisible person all his life. The voice of the concluding cellos intends to convey a sense of stillness. The man has found himself. He discovered the profound sense of the good self. He can walk the world. Now he is no longer alone and he will never be again … "Tree of Revolution" is the penultimate piece in chronological order of the work done up to a few days ago and "narrates" the fate of a sumac in a garden that could be the emblem of a Revolution of consciences, which is taking place quietly and attentively at all latitudes. It begins with a French horn solo, a simple melody that heralds a movement of people towards freedom. The sumac is represented by the notes of the piano, a solitary display. A trumpet sounds. It is the call of the New Era of Light. The strings counterpoint a succession of chords. It is the sequence that represents the path. The chordal agglomerations of the piano are back, indicating the sumac. A friend of this song wrote: “The song surprised me, even if you refer to the“ revolution of the Psyche ”you wish for, it still has a gentle theme, not at all aggressive. It sounded like the soundtrack of an Anime or a modern Japanese movie, they often use such a vibrant style ”.
"Lupus". Last song. It begins with an English horn melody that gives way to keyboard chords. "Lupus" is the freedom song of the wolf, a proud and free animal. By extension, it is meant to represent all people who do not align with the dominant thought. We are all called to be wolves. Authentic in our identity, without cages or leashes. The final tail of the arches is open and wants to build a bridge between us and what we should be: indomitable spirits … This work collects the best of my production in the period from December 2020 to November 2021. It is almost needless to say how much I am attached to him and how much I love him. An artist loves his works, absolutely. The opposite would be strange. "Interference" traces a furrow, to sow a new idea of the world, of society and of the person, placed at the center of the planetary scenario, with its desires and dreams. We are witnessing the undoing of the capitalist system, which shows all its final murderous brutality, which has always been the enemy of men. We cannot remain inert. We must rebel peacefully and show the powerful that we can implement a life plan on the planet that does not need their wicked choices. This work, musically, is rich. It blends sounds of a heterogeneous nature, to create a new sonic league, that of the New Era of Light, which those like me are awaiting with optimism and confidence. I have always loved writing for symphony orchestra, but, over the years, although my background is classical, I have become interested in the instruments of popular music, trying to create an ensemble that was well balanced. The result is here. "Interference" is a song. A hymn. The sublimation of my desires for a message of joy and peace. It was a long creative process, in its overall duration and difficult, thanks to which I reflected a lot on the nature of things and on my vision of the world. I have been living an all-encompassing love for 13 years and I am a very lucky man. She is my Muse, I never get tired of painting her with sounds and words. She is my everything, ever. Everything beautiful in my life comes from interacting with her, loving me for who I am. "Interference" is a work of the New Era of light, in which virgin compositions will be needed to let people enter a world where imagination and creativity will no longer be accessories for entertainment, but authentic forces of man. I gracefully await the development of an anthropological and cultural Revolution that will take us away, into another dimension of the person, thanks to which all children will grow up happily, to become men of value.
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