"My lady's breast - Portrait of an invisible" is taking shape as the central musical piece of the soundtrack I'm curating. It is from this song that the title of the film of the same name takes shape, of which I am also taking care of the screenplay. "My lady's breast - Portrait of an invisible", "The breast of my partner - Portrait of an invisible" wants to be the story of a different person who finally finds his main identity in the relationship with his own woman, his place in the world and it generates a non-destructive relationship with the reality that surrounds it. I can say of this piece that its title is the embrace with otherness charged with meaning and significations, so the protagonist remains invisible to most, but not to his own eyes and to those of those who love him. The subtitle of the score is "The day", "The day", that moment of revelation that man, once he discovers his good selves, will never go back. The metronomic indication is this: "Larghetto, with real passion. The moment of revelation of one's true self, in relationship with the other ". This piece is about a year old. I started composing it in May 2021. I was at home, I listened to Chopin and he vaguely felt like trying a particular chord, with which to start new music: the Neapolitan sixth.
I tried that chord agglomeration, I liked it, then it occurred to me to keep a fixed note on the melody and this was the first core of the writing. This is really the origin of all my new efforts, since I published my novel, "Musa - Thoughts of an artist", after a great commitment during the pandemic, which has drastically changed us all. Subsequently, over the course of the days, I kept the note fixed to the melody, accompanying it with 4 different chordal agglomerates. I had a structure, from which music was born.
Days ago, listening to the song again, it occurred to me to add another 4 chords to the succession and I did it.
I was happy because that succession, as it was intended, gave me great vibrations of joy and made me proud of my work. "My lady's breast - Portrait of an invisible" could become the project of a life, spent in search of beauty and the virtuous. This piece represents the encounter between two identities, one male and one female, which are appreciated more and more in mutual knowledge and become a couple who intend to live well, in dignity. In amazement in front of an apple fruit. Facing the boundless ocean. I finished correcting "Muse - Thoughts of an artist" at the beginning of 2019, then I published the novel and I immediately started writing a screenplay which now, after various alterations, has reached a significant overall dimension, of which the The existential theme of "My Lady's breast - Portrait of an invisible" is central, essential, decisive. This piece comes from a Neapolitan sixth. It develops with a single note to the melody and different chordal agglomerations to support it. I have already edited two other versions, with the criterion of the "Theme with variations", today I present the basic structure. This is the heart of my creativity, the root from which a new tree will blossom. I'm happy. Listening to the piece, I had the strong sensation of being on my way, on my path, through my soul. The work is strongly psychoanalytic and revolves around the possibility that finally, after having crossed the desert, a man can say that he is happy, satisfied, genuinely happy. This passage intends to be a hymn to life, that existence that we strive to understand and which, in the end, is to feel the joy of an affectionate embrace of a friend, of one's partner, of a mother. At times, along the path of my production, I felt joy in listening to my music again: this one that I am presenting today is the one that represents me the most, absolutely and I am sure of it. I am pleased. I have identified and isolated the nerve center of all this work, which began before the Pandemic and continues to amaze me with its depth of message and a form that I consider original. I am happy because I already feel that these notes will become the recurring theme of the work. I hope to do well. After all, I just wanted to live and dedicate myself to my passions and I'm succeeding. We are living in a hellish era, there are many questions about the present and the future. I leave it to those who have the opportunity to decide how much my work can be an exponent of that New Age of Light that we all look forward to confidently.
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In this era of lies, projected on a world scale, authentic words are needed. This is my message to the world for a peaceful revolution leading us to a New Age of Light.